A panel of seven judges is used to evaluate each band. The judges are split into four categories:
- 3Music judges
- 2Marching judges
- 1Percussion judge
- 1Color Guard judge
The breakdown of each category and judge are listed below.
Music Judge
This adjudicator evaluates both the content and achievement of the music as well as the overall musical production. They listen for tone quality, blend and balance within the wind section, contrast of volume, intonation, phrasing, clarity of musical lines, steadiness of tempo, and rhythmic precision. They also assess the continuity and flow of the program, the variety of musical styles and tempos, and the overall impact of the performance. The musical arrangements are examined for difficulty, originality, and coordination, while attention to detail and overall musical effect are factored into the final evaluation.
Marching Judge
This adjudicator evaluates the visual and marching aspects of the performance, focusing on both individual execution and overall ensemble presentation. They examine the drill design for difficulty, originality, coordination with the music, and effective staging of visual elements, including the use of color guard or auxiliary groups. Attention is given to uniformity of stride, precise foot placement, leg position, posture, and instrument carriage, ensuring that the upper body remains steady while the feet strike the ground in unison. They also assess the alignment and spacing of forms, clarity of straight and curved lines, continuity and flow of the visual program, appearance of the uniform, and the overall visual impact of the show.
Percussion Judge
This adjudicator evaluates the entire percussion section from the press box mezzanine. Their primary focus is the rhythmic stability of the percussion section, uniformity in playing technique, and the overall contribution to the musical development. The score is also based on the difficulty of repertoire and execution by the performers.
Color Guard Judge
This adjudicator looks at any auxiliary group within the band (flags, rifles, sabres, twirlers, drill team, etc.) and evaluates the relationship of their movements to the music, the precision of these movements, the difficulty of the movements, and their technique. They also evaluate their position, movement of their feet, and any dance techniques that they might use. They also comment on the staging of these groups in the production, their uniforms, and the suitability of their equipment.
